Faculty

Andrew Berish

Associate Professor

CPR 376
aberish@usf.edu

Curriculum Vitae

Andrew Berish is an Associate Professor who holds an M.A. and Ph.D. in Musicology from the University of California, Los Angeles and B.A. in History from Columbia University. Dr. Berish鈥檚 current research focuses on the relationship between musical expression and the social experience of space and place. His current book, Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and 鈥40s (University of Chicago Press, 2012), examines the ways swing-era jazz represented the geographic and demographic transformations of American life during the Great Depression and Second World War. He has published articles on 1930s 鈥渟weet鈥 jazz and guitarist Django Reinhardt in The Journal of the Society for American Music and Jazz Perspectives. A recent essay on Duke Ellington in the 1930s appears in the Cambridge Companion to Duke Ellington , edited by Ed Green (Cambridge University Press, 2015). He is currently at work on a study of Tin Pan Alley song during the Depression and Second World War as well as a second project on jazz hating. His research interests include topics in jazz and American popular music, theories of space and place, and ideologies of race. He teaches courses on American culture of the 1930s and 鈥40s, jazz and civil rights, the analysis of popular music, and the role of place and mobility in American historical experience.

Selected Publications

  • "Space and Place in Jazz," in The Routledge Companion to Jazz Studies:
  • 鈥溾楾he Baritone with Muscles in his Throat鈥: Vaughn Monroe and Masculine Sentimentality during the Second World War,鈥 Modernism/modernity:
  • Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and 鈥40s: